尽管上海的疫情有一些不确定因素，但今年这场在工银中心世博展览馆举办的 WePlay，并没有受到太大影响，反倒是几个不同的展会扎堆凑在一起，让人觉得现实有点魔幻。比如一大早，我就看到穿着时髦的少男少女们，在马路上排起了几公里的长队。一打听才知道旁边有个“玩偶展”，挂在工作人员摩托车上的喇叭，严格遵守着多普勒效应来回发出警告，大概是提醒无关人士就不要凑这个热闹了。熊拖泥前辈摄到达预定地点后，本人又发现一楼的隔壁正在举办什么“童书展”，真不是胡逼，有我站用户为证：不过，对于逛了无数种展会的我来说，WePlay 的特点，在如此眼花缭乱的“夹击”中仍然是难以埋没的。它总是试图让玩家与游戏本身以及背后的文化进行直接接触，让我印象比较深的，是 Game Trigger 在主舞台旁设计的“游戏时光回廊”。别误会，虽然有“游戏时
Although there are some uncertain factors in the epidemic situation in Shanghai, this year's weplay held in the Expo exhibition hall of ICBC center has not been greatly affected. On the contrary, several different exhibitions have come together to make people feel a bit magical. For example, early in the morning, I saw young men and women dressed in fashionable clothes lined up for several kilometers on the road. As soon as I inquired, I found out that there was a "doll show" nearby. The horn hung on the staff's motorcycle strictly obeyed the Doppler effect and issued warnings back and forth, probably to remind unrelated people not to join in the fun. After Xiong Tuoni arrived at the scheduled location, I found another "children's Book Exhibition" on the first floor next door. It's not a force, as evidenced by my users: however, for me who have visited countless exhibitions, the characteristics of weplay are still hard to be buried in such a dazzling "attack". It always tries to let players have direct contact with the game itself and the culture behind it. What impresses me deeply is the "game time corridor" designed by game trigger beside the main stage. Don't get me wrong, although there is "game time"
